Coltrane II-V Substitution

Coltrane Changes Key of C
ii-7 → ♭II7 → IΔ7 (via major 3rds)

Coltrane's approach to substituting over a ii-V-I.

Progression

Dm7

D#7

G#Δ7

B7

EΔ7

G7

CΔ7

Voice Leading Patterns

Pattern 1
Dm7
D#7
G#Δ7
B7
EΔ7
G7
CΔ7
F
C
G
D
A
E
5
5
7
5
7
6
8
6
7
5
6
6
6
4
7
6
4
4
6
6
5
4
5
5
4
4
5
3
Pattern 2
Dm7
D#7
G#Δ7
B7
EΔ7
G7
CΔ7
F
C
G
D
A
E
9
7
10
8
10
8
11
10
8
8
10
10
9
8
9
9
8
8
9
7
7
7
9
8
7
5
9
7
Pattern 3
Dm7
D#7
G#Δ7
B7
EΔ7
G7
CΔ7
F
C
G
D
A
E
12
10
12
12
10
8
11
10
8
8
10
10
9
8
9
9
8
8
9
7
7
7
9
8
7
5
9
7
Pattern 4
Dm7
D#7
G#Δ7
B7
EΔ7
G7
CΔ7
F
C
G
D
A
E
2
2
3
3
3
3
5
4
3
1
5
3
3
2
4
2
3
1
2
2
2
0
3
2
0
0
2
2
Random:
Dm7
D#7
G#Δ7
B7
EΔ7
G7
CΔ7
F
C
G
D
A
E
5
5
7
5
3
3
5
4
3
1
5
3
6
4
7
6
3
1
2
2
7
7
9
8
7
5
9
7

Drop 2 Inversions

DMinor7
DInv 1
DInv 2
DInv 3
DInv 4
F
C
G
D
A
E
5
5
7
5
9
7
10
8
12
10
12
12
2
2
3
3
D#Dominant
D#Inv 1
D#Inv 2
D#Inv 3
D#Inv 4
F
C
G
D
A
E
7
6
8
6
10
8
11
10
1
0
1
1
3
3
5
4
G#Major7
G#Inv 1
G#Inv 2
G#Inv 3
G#Inv 4
F
C
G
D
A
E
12
12
13
11
3
1
5
3
7
5
6
6
8
8
10
10
BDominant
BInv 1
BInv 2
BInv 3
BInv 4
F
C
G
D
A
E
3
2
4
2
6
4
7
6
9
8
9
9
11
11
13
12
EMajor7
EInv 1
EInv 2
EInv 3
EInv 4
F
C
G
D
A
E
8
8
9
7
11
9
13
11
3
1
2
2
4
4
6
6
GDominant
GInv 1
GInv 2
GInv 3
GInv 4
F
C
G
D
A
E
11
10
12
10
2
0
3
2
5
4
5
5
7
7
9
8
CMajor7
CInv 1
CInv 2
CInv 3
CInv 4
F
C
G
D
A
E
4
4
5
3
7
5
9
7
11
9
10
10
0
0
2
2
4
Fourths Hub

Free guitar tools for P4 tuning